Jane Page, Director
Jane Page, a first time CSF director,
was CSF production stage manager from 1978-1980. Her directing credits
include work with the Denver Center Theatre Company, Snowmass Repertory
Theatre, Virginia Museum Theatre and Chicago’s Fusion Theatre. At
Studio Arena Theatre in Buffalo, N.Y., Page recently directed the U.S.
premiere of A Secret Garden, as well as the North American premiere
of Dead Guilty, and productions of Italian American Reconciliation,
How I Learned to Drive, and Wait Until Dark. She has directed
over 70 regional productions, including the regional premieres of Marvin’s
Room, Spoils of War, Nora, Three More Sisters, and Four Portraits
of Mothers. Her production of A Shayna Maidel received
the Denver Drama Critics "Best Play of the Year" Award. She also
won the Fringe First Award at the Edinburgh International Theatre Festival
in Scotland for the world premiere of Amelia Lives. Page,
who is married to past CSF director Gavin Cameron-Webb, lives in Denver.
Gloria Biegler*, Guest Artist playing
Silvia
Gloria Biegler most recently appeared
as Ellen in Over the Tavern at Virginia Stage Company in Norfolk.
Boulder area audiences may remember her work at The Denver Center Theatre
Company in Macbeth, Life is a Dream, The Rivals and The Miser.
She was a member of the Broadway companies of Tom Stoppard’s Arcadia
and Michael Weller’s Spoils of War, and of the off-Broadway company
of Mrs. Klein, starring Uta Hagen. Biegler played Cordelia
to Hal Holbrook’s King Lear at New York’s Roundabout Theatre. Her
numerous regional credits include Elizabeth in the world premiere of Thomas
Babe’s Great Day in the Morning at the South Coast Repertory (for
which she won the Drama-Logue Award for Best Actress) and Valerie in the
regional premiere of The Weir at The Repertory Theatre of St. Louis.
Biegler has also appeared on television in Law & Order, All My Children,
One Life to Live and The Guiding Light. This is her first
season with CSF.
*Appearing courtesy of Actor’s Equity
Bruce Bergner, Scenic Designer
Designer of the C.U. Heritage Center’s
CSF exhibit and resident scene designer for the C.U. Department of Theatre
and Dance, Bruce Bergner designed the 1999 CSF productions of The Merry
Wives of Windsor and The Comedy of Errors. For more than
15 years, he’s been a scenic and lighting designer for regional theatres
on the West Coast, as well as in Chicago, St. Louis and the Southeast.
Recent credits include A Thousand Cranes at the Repertory Theatre
and On the Town at Stages, both in St. Louis; Candida at the Clarence
Brown Company in Knoxville, Tenn., and Café Universe at the
Hemingway Foundation in Chicago. Bergner has also designed numerous
industrial events, and commercial parties.
Maureen Carr-Stevens, Costume Designer
The faculty costume designer at Niagara
University, Maureen Carr-Stevens received her B.S. from SUNY College-Buffalo
and her M.F.A. in costume design from the University of Illinois’ Karat
Center for the Performing Arts. A former CSF painter/dyer and costume
director, she was the costume designer for the 1997 production of The
Taming of the Shrew. Other favorite credits include the premiere
of Over the Tavern at Buffalo’s Studio Arena Theatre, Niagara University’s
production of Steel Pier, and On the Verge for Illinois Repertory
Theatre.
Michael Wellborn, Lighting Designer
In his 13th season at CSF, Michael Wellborn
began his association with the Festival in 1980 as the sound designer for
Henry
V and Love’s Labours Lost. Over the past eleven years
he has designed lighting for 28 productions, including last season’s Twelfth
Night, Julius Caesar and Henry V. A member of the dance
program faculty at the University of Washington, Wellborn designed lighting
for Seattle’s A Contemporary Theatre, Repertory Theatre and Children’s
Theatre, as well as for various theatre, dance and opera companies around
the Pacific Northwest. His dance designs have toured the U.S., Europe
and Asia.
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